Wednesday, February 23, 2011

Bat Man

Batman is a fictional character created by the artist Bob Kane and writer Bill Finger. A comic book superhero, Batman first appeared in Detective Comics 27 (May 1939), and since then has appeared in many of DC Comics’ publications. Originally referred to as "the Bat-Man" and still referred to at times as "the Batman", he is additionally known as "The Caped Crusader", "The Dark Knight", "The Darknight Detective", and "The World's Greatest Detective".
In the original version of the story and the vast majority of retellings, Batman's secret identity is Bruce Wayne, an American millionaire (later billionaire) playboy, industrialist, and philanthropist. Having witnessed the murder of his parents as a child, he swore revenge on crime, an oath tempered with the greater ideal of justice. Wayne trains himself both physically and intellectually and dons a bat-themed costume in order to fight crime. Batman operates in the fictional American Gotham City, assisted by various supporting characters including his crime-fighting partner, Robin, his butler Alfred Pennyworth, the police commissioner Jim Gordon, and occasionally the heroine Batgirl. He fights an assortment of villains such as the Joker, the Penguin, Two-Face, Poison Ivy and Catwoman. Unlike most superheroes, he does not possess any superpowers; he makes use of intellect, detective skills, science and technology, wealth, physical prowess, martial arts skills, an indomitable will and intimidation in his continuous war on crime.
Batman became a very popular character soon after his introduction and gained his own comic book title, Batman, in 1940. As the decades wore on, differing interpretations of the character emerged. The late 1960s Batman television series used a camp aesthetic which continued to be associated with the character for years after the show ended. Various creators worked to return the character to his dark roots, culminating in the 1986 miniseries Batman: The Dark Knight Returns, by writer-artist Frank Miller, while the success of director Tim Burton's 1989 film Batman also helped to reignite popular interest in the character. A cultural icon, Batman has been licensed and adapted into a variety of media, from radio to television and film, and appears on a variety of merchandise sold all over the world such as toys and video games.
In early 1939, the success of Superman in Action Comics prompted editors at the comic book division of National Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created "the Bat-Man." Collaborator Bill Finger recalled "Kane had an idea for a character called 'Batman', and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN."
Finger offered such suggestions as giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves, and removing the red sections from the original costume. Finger said he devised the name Bruce Wayne for the character's secret identity: "Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Bruce, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne."[11] He later said his suggestions were influenced by Lee Falk's popular The Phantom, a syndicated newspaper comic strip character with which Kane was familiar as well.
Various aspects of Batman's personality, character history, visual design, and equipment were inspired by contemporary popular culture of the 1930s, including movies, pulp magazines, comic strips, newspaper headlines, and even aspects of Kane himself.[13] Kane noted especially the influence of the films The Mark of Zorro (1920) and The Bat Whispers (1930) in the creation of the iconography associated with the character, while Finger drew inspiration from literary characters Doc Savage, The Shadow, and Sherlock Holmes in his depiction of Batman as a master sleuth and scientist.

X-Men

The X-Men are a superhero team in the Marvel Comics Universe. They were created by writer Stan Lee and artist Jack Kirby, and first appeared in The X-Men #1 (September 1963). The basic concept of the X-Men is that under a cloud of increasing anti-mutant sentiment, Professor Xavier created a haven at his Westchester mansion to train young mutants to use their powers for the benefit of humanity, and to prove mutants can be heroes. Xavier recruited Cyclops, Iceman, Angel, Beast and Jean Grey, calling them "X-Men" because they possess special powers due to their possession of the "X-Gene," a gene normal humans lack but which gives Mutants their abilities. Early on, however, the "X" in X-Men stood for "extra" power which normal humans lacked. It was alluded that the mutations were incurred as a result of radiation exposure.
The first issue also introduced the team's archenemy, Magneto, who would continue to battle the X-Men for decades throughout the comic's history, both on his own and with his Brotherhood of Mutants (introduced in issue #4). The X-Men universe also includes such notable heroes as Wolverine, Storm, Colossus, Nightcrawler, Shadowcat, and Rogue. Besides the Brotherhood of Mutants, other villains that the X-Men have fought include Apocalypse, Mister Sinister, the Hellfire Club, and Weapon X.
The X-Men comics have been adapted into other media, including animated television series, video games, and a commercially successful series of films.
Creator Stan Lee devised the series title after Marvel publisher Martin Goodman turned down the initial name, "The Merry Mutants," stating that readers wouldn't know what a "mutant" was. Within the Marvel Universe, the X-Men are widely regarded to have been named after Professor Xavier himself. Xavier however claims that the name "X-Men" was never chosen to be a self-tribute. The name is also linked to the "X Gene," an unknown gene that causes the mutant evolution.
Early X-Men issues introduced the team's archenemy Magneto and his Brotherhood of Mutants featuring Mastermind, Quicksilver, Scarlet Witch, and the Toad. The comic focused on a common human theme of good versus evil and later included storylines and themes about prejudice and racism, all of which have persisted throughout the series in one form or another. The evil side in the fight was shown in human form and under some sympathetic beginnings via Magneto, a character who was later revealed to have survived Nazi concentration camps only to pursue a hatred for all 'normal' mankind. His key followers, Quicksilver and the Scarlet Witch, were Roma (gypsies). Only one new member of the X-Men was added, Mimic/Calvin Rankin, but soon left due to his temporary loss of power.
The title lagged in sales behind Marvel's other comic franchises. In 1969, writer Roy Thomas and illustrator Neal Adams got the comic back on its feet the comic book and gave regular roles to two recently introduced characters: Havok/Alex Summers (who had been introduced by Roy Thomas before Adams began work on the comic) and Lorna Dane, later called Polaris (created by Arnold Drake and Jim Steranko). However, these later X-Men issues failed to attract sales and Marvel stopped producing new stories with issue #66, later reprinting a number of the older comics as issues.

Prince of Tennis

The Prince of Tennis (Tenisu no Ōjisama?) is a popular Japanese shōnen manga series written and illustrated by Takeshi Konomi. The title is often shortened to TeniPuri, a portmanteau of the two parts in the Japanese pronunciation of the words "Tennis Prince". The manga was first published in Japan in Shueisha's Weekly Shōnen Jump in July 1999, and ended publication on March 3, 2008. A total of 379 chapters were serialized, spanning 42 volumes. As of volume 40, the manga has sold over 40 million copies in Japan. News that a sequel to the manga series was going to be developed was announced in the December issue of the Japanese manga magazine Jump Square. The new manga series, entitled New Prince of Tennis, began serialization in the Jump Square magazine on March 4, 2009, with the story taking place several months after the end of the original manga. Viz Media acquired the license to distribute the series in English in North America.

The manga was adapted into an anime series directed by Takayuki Hamana, animated by Trans Arts and co-produced by Nihon Ad Systems & TV Tokyo. The anime aired across Japan on the anime satellite television network Animax and the terrestrial TV Tokyo network from October 10, 2001 to March 30, 2005, spanning a total of 178 episodes, as well as a theatrical movie. In April 2006, an original video animation (OVA) continuation of the anime began to be released on DVD. The beginning of the second OVA series was released on June 22, 2007, roughly 3 months after the end of the first. The second OVA ended on January 25, 2008, and the third and final OVA started on April 25, 2008.

The series developed into a media franchise and has had numerous other adaptations outside of the animated incarnation. Since April 2003, more than fifteen stage musicals have been produced for the series. An animated movie was released in 2005, as well as a live action movie in 2006.The franchise has also had a long running radio show, numerous video games, soundtracks, and other merchandise or collectibles.

The series is primarily set in Tokyo, and centers around Ryoma Echizen, a tennis prodigy who attends Seishun Academy ( Seishun Gakuen?), or Seigaku for short, a private school famous for its strong tennis club and talented players. Ryoma quickly defeats numerous upperclassmen shortly after entrance to secure himself a spot as one of the team's regulars. In pursuit of their ultimate goal of winning the National Middle School Tennis Championship, members of the team make new friends while learning and mastering increasingly complex techniques. Ryoma also begins to develop his own style of tennis, and eventually realizes what the sport really means to him.

The Legend of Zorro

The Legend of Zorro is a 2005 sequel to The Mask of Zorro (1998), both directed by Martin Campbell. Antonio Banderas and Catherine Zeta-Jones reprise their roles as the titular hero and his spouse, and Rufus Sewell stars as the villain. The film, which takes place in San Mateo County, California, was shot in San Luis Potosí, Mexico with second-unit photography in Wellington, New Zealand.
In 1850 (10 years after the events of the first film), the people of California are voting to decide whether to join or not to join the United States as a state. During one of the votes, a wild gunman named Jacob McGivens attacks to steal the box of votes. Before he makes off with the votes, however, Zorro appears and chases after him and his men. Zorro succeeds in recapturing the votes, but in their scuffle McGivens manages to pull off Zorro's mask. A pair of Pinkerton agents see the face of Zorro, recognizing him as Don Alejandro de la Vega. Zorro then makes a make-shift mask out of his costume and rides off on his stallion, Toronado, to deliver the votes to the governor.
Upon returning to his mansion, Alejandro is greeted by his loving wife, Eléna. Eléna believes that Alejandro can now give up being Zorro, but Alejandro is sure that the people will still need him. Angered of Alejandro's neglecting his wife and son while going out as Zorro, Eléna kicks him out of the house. The next day, after sending her now 10-year-old son, Joaquin to school, Eléna is confronted by the Pinkertons, who reveal that they know who Zorro really is. Soon after, Alejandro is served with divorce papers from Eléna.
Three months later, Alejandro is living in a hotel, depressed over the separation from Eléna and not having been summoned as Zorro in all this time. His friend and childhood guardian, Father Felipe, convinces him to attend a party at a French count's new vineyard, and there Alejandro finds out that Eléna has been spending time with the count and her former schoolmate, Armand. Later, after drinking himself stupid, Alejandro witnesses a huge explosion go off close to Armand's mansion and becomes suspicious of his ex-wife's long-time friend.
Afterwards, McGivens and his men attack a peasant family, the Cortezes, with whom Alejandro is friends, in order to seize their land deed. Zorro succeeds in rescuing Guillermo's wife and infant son, but McGivens shoots Guillermo just before disappearing with his gang, the deed to the Cortez home in hand. Zorro subsequently stakes McGivens out at Armand's mansion to confirm his suspicions and finds out that Armand wanted Cortez's land to build a railroad. At the same time, he encounters Eléna, who has been doing undercover espionage for the Pinkertons and discovered that Armand is to receive a mysterious shipment.
Zorro tracks McGivens to a cove where the count's cargo is being delivered. However, on a class trip nearby Joaquin has also come across McGiven's gang and hitched a ride. Zorro saves his son, who does not recognize him, from the bandits, but the only clues he is able to retrieve are a piece of the cargo - a bar of soap - and the name Orbis Unum from one of the crate lids. Felipe and Alejandro learn that Armand is the head of a secret society, the Knights of Aragon, which secretly ruled Europe in the past. Armand plans to throw the United States, which is perceived as a threat to the Knights' power, into chaos before it can gain too much power to be kept in check.
Sometime later, Alejandro is captured by the two Pinkertons and is told that they black-mailed Eléna into divorcing him and getting close to Armand to find out his plans; since California isn't yet a state, they couldn't conduct a legal investigation. Joaquin stumbles upon his father's whereabouts and frees him from prison. Zorro then heads over to Armand's mansion, while Eléna also arrives there. After meeting up, they eavesdrop on Armand's meeting and learn that the soap bars actually contain glycerin - a precursor to nitroglycerin, which Armand plans to distribute throughout the Confederate Army, with the help of Confederate Colonel Beauregard, to destroy the Union. After confessing her involvement with the Pinkertons, Eléna then heads back to the mansion before Armand gets back, and Zorro prepares to destroy the train carrying the explosive shipment. Meanwhile, McGivens arrives at Felipe's church to look for Zorro, but ends up shooting the priest and kidnapping Joaquin.
At the mansion, Armand is informed by his butler Ferroq about Eléna's deception and, showing her the bodies of the Pinkerton agents, brutally confronts her with his knowledge. He takes her and Joaquin hostage and prepares to take her on the train, forcing Zorro to stop his own sabotage and getting himself captured. He is unmasked in front of his wife and son, much to Joaquin's shock. Joaquin and Eléna are taken away by Armand, while McGivens is tasked with killing Alejandro; but unexpectedly, Felipe arrives and helps Alejandro overpower McGivens, who is killed when a drop of nitro lands on his head. Felipe then reveals that the crucifix around his neck shielded him from McGivens' bullet, and Alejandro goes to save Eléna and Joaquin.
Zorro catches up with and lands - along with Toronado - inside the train, and engages Armand in a sword fight. Meanwhile, Eléna has Joaquin escape and then fights Ferroq in the nitro storage car, eventually stuffing a bottle of nitro into his trousers and pushing him off the train just as it approaches its rendezvous point with Colonel Beauregard, killing them in the resultant explosion. Joaquin, unwilling to be left behind, collects Toronado and rides after the train.
Further along the tracks, under the eyes of a huge crowd, the governor is signing the bill that will make California a state. As the train gets closer, Joaquin has Toronado hit a track switch, causing the train to pass around the governor's car. Zorro and Armand's duel takes them to the very front of the locomotive; however, the track is a dead end blocked by a large pile of rails. Zorro hooks Armand to the train and escapes with Eléna. The train plows Armand into the block, killing him and causing the nitroglycerin to detonate, destroying the train. With Zorro as an official witness, the governor later signs the bill, and California becomes the 31st state of the United States of America.
Later, Felipe gets Alejandro and Eléna remarried with Joaquin as the only witness. Alejandro apologizes to his son for not telling him the truth, and he admits that Zorro's identity is a family secret rather than just his own. Eléna then allows Alejandro to continue being Zorro, accepting that it is who he is, and Zorro rides off on Toronado to his next mission.

Swat Kats

SWAT Kats: The Radical Squadron is an animated series for television created by Christian and Yvon Tremblay and produced by Hanna-Barbera and Turner Program Services. Every episode of the series was directed by Robert Alvarez. The bulk of the series was written by either Glenn Leopold (13 episodes) or Lance Falk (6 episodes). Jim Stenstrum contributed two episodes, while David Ehrman, Von Williams, Eric Clark (with Lance Falk), Mark Saraceni and Jim Katz all contributed one episode.
The show ran in syndication as part of The Funtastic World of Hanna-Barbera from 1993 to 1995, when it was given its series finale. There were a total of twenty-five finished episodes and a special episode, that features a report on the SWAT Kats and of all their missions and gadgets as well as three unfinished episodes and two episodes still in the concept stage. The show was based in the fictional metropolis of Megakat City, which is populated entirely by anthropomorphic felines who are just like people, known as "kats". The show is reruned time to time on Cartoon Network classic channel Boomerang.
Chance "T-Bone" Furlong and Jake "Razor" Clawson were members of Megakat City's paramilitary law enforcement agency, known as the Enforcers. Unfortunately, the Enforcers were commanded by Feral, an overbearing but incompetent Enforcer who was believed to have owed his position entirely to political machinations. While in pursuit of Dark Kat, one of the main arch-villains of the series, the two rebelled against Enforcer Commander Feral's orders to fall back and leave Dark Kat to him. When they objected, citing their already-acquired target lock, Commander Feral used his jet to slap their wing, sending Chance and Jake's jet crashing into Enforcer headquarters and allowing Dark Kat to get away. In his anger, Feral discharged Chance and Jake from the Enforcers and reassigned them to work at the city's military salvage yard to pay for the damage to the Enforcer Headquarters.
Using discarded military parts and weapons from the salvage yard, Chance and Jake built themselves a three-engine jet fighter called the Turbokat, which resembled several different jet fighters, most notably the Grumman F-14 and the Saab Draken, along with a handful of such other vehicles as the Cyclotron, a motorcycle built into the jet; the Turbo Mole, a subterranean vehicle used to drill underground; the Hoverkat, a militarized hovercraft, the Thunder Truck, a militarized Jeep modified from their tow truck, and they also built two jet skis which they used in Mutation City. All these vehicles were stored, along with a training area and other equipment, in a secret hangar below the yard.
They commenced to patrol Megakat City as the SWAT Kats, defending it against any kind of menace that threatened the city. Their enemies included the criminal mastermind Dark Kat; the undead sorcerer the Pastmaster; the mutant evil genius Doctor Viper; and the robotic gangsters the Metallikats. The SWAT Kats also faced many villains-of-the-week, such as Madkat and Volcanus.
T-Bone and Razor kept their identities secret from everyone, and their closest ally became Deputy Mayor Callie Briggs, a character more important than the mayor himself. Their methods did not endear them to Commander Feral, and in the series the three often clashed. The Metallikats were the only characters in the series to learn their true identities, when they invade the secret hangar. In the second season, Lieutenant Felina Feral, who disagreed with her uncle's view about the SWAT Kats' activities, became another ally.
Remco produced a line of action figures in 1994 which included T-Bone, Razor, Dr. Viper and Dark Kat. They can be seen here. Other products were produced including a Super Nintendo game, a handheld game, posters and fast food tie-ins at Carls Jr. and White Castle.

Naruto

Naruto (NARUTO, romanized as NARUTO) is an ongoing Japanese manga series written and illustrated by Masashi Kishimoto. The plot tells the story of Naruto Uzumaki, an adolescent ninja who constantly searches for recognition and aspires to become a Hokage, the ninja in his village that is acknowledged as the leader and the strongest of all. The series is based on a one-shot comic by Kishimoto that was published in the August 1997 issue of Akamaru Jump.
The manga was first published by Shueisha in 1999 in the 43rd issue of Japan's Weekly Shōnen Jump magazine. Currently, the manga is still being serialized with fifty-one tankōbon volumes released so far. The manga was later adapted into an anime, which was produced by Studio Pierrot and Aniplex. It premiered across Japan on the terrestrial TV Tokyo network and the anime satellite television network Animax on October 3, 2002. The first series lasted 220 episodes, while Naruto: Shippuden, a sequel to the original series, has been airing since February 15, 2007. In addition to the anime series, Studio Pierrot has developed six movies for the series and several original video animations (OVAs). Other types of merchandise include light novels, video games and trading cards developed by several companies.
Viz Media has licensed the manga and anime for North American production. Viz has been publishing the series in their Shonen Jump magazine, and as well as the indidividual volumes. The anime series began airing in the United States and Canada in 2005, and later in the United Kingdom and Australia in 2006 and 2007, respectively. The films, as well as most OVAs from the series, have also been released by Viz, with the first film premiering in cinemas. The first DVD volume of Naruto: Shippuden was released by Viz in North America on September 29, 2009, and it started broadcast on Disney XD in October of the same year.
The manga has sold over 100 million copies in Japan. Serialized in Viz's Shonen Jump magazine, Naruto has become one of the company's best-selling manga series. The English adaptation of the series has also appeared in the USA Today Booklist several times and volume 11 won the Quil Award in 2006. Reviewers from the series have praised the balance between fighting and comedy scenes, as well as the characters' personalities, but have criticized it for using standard shōnen plot elements.
Naruto Uzumaki is a young boy who has the Nine-Tailed Demon Fox sealed within him. Twelve years before the start of the series, the Nine-Tailed Demon Fox attacked the ninja village Konohagakure, slaughtering many people. In response, the leader of Konohagakure and its ninja military – the Fourth Hokage – sacrificed his life to seal the demon inside Naruto when he was a newborn. Konohagakure, however, regarded Naruto as if he were the demon fox itself and mistreated him throughout most of his childhood. A decree made by the Third Hokage, who replaced the Fourth Hokage after his death, forbade anyone mention the attack of the demon fox to anyone else. This included Naruto, who was not aware of the demon inside of him.
Years later, Naruto is tricked by the renegade ninja Mizuki into stealing a forbidden scroll, but he is stopped by his teacher, Iruka Umino. When Iruka almost dies while protecting Naruto from Mizuki, Naruto uses a Jutsu he learned from the scroll that creates multiple clones of himself, Shadow Clone Technique, to defeat Mizuki. This encounter leads Naruto to realize that he is the container of the demon fox.
The main story follows Naruto and his friends. Naruto befriends two comrades, Sasuke Uchiha and Sakura Haruno, who are assigned with him to form a three-person team named Team 7 under an experienced sensei named Kakashi Hatake. Like all the ninja teams from every village, Team 7 is charged with completing missions requested by villagers, such as doing chores or being bodyguards. During the course of their missions, Naruto befriends other characters that he meets throughout the series. Team 7 learns new abilities, get to know each other, and experience a coming-of-age journey as Naruto dreams of becoming the Hokage of Konohagakure.
After several missions, Kakashi allows Team 7 to participate into a ninja exam in which they can improve their ranks, and thus, take part in more difficult missions. During the exams, Orochimaru, a criminal at the top of Konohagakure's most wanted list, attacks Konoha and kills the Third Hokage in an act of revenge. This forces one of the three legendary ninja, Jiraiya to search for his former teammate Tsunade, who has been nominated to become the Fifth Hokage. During the search, it is revealed that Orochimaru desires to acquire Sasuke Uchiha due to his powerful genetic heritage. Believing Orochimaru will be able to give him the strength needed to kill his brother Itachi, who destroyed his clan, Sasuke goes to him in search of power. Tsunade sends a group of ninja including Naruto to make Sasuke return to Konoha, but Naruto is unable to defeat him and bring him back to the village. Naruto does not give up on Sasuke, however, and he leaves Konoha to train for two-and-a-half years under Jiraiya's tutelage in order to prepare himself for the next time he encounters Sasuke.
After the training period, a mysterious organization called Akatsuki attempts to capture the nine powerful tailed beasts including the Nine-Tailed Demon Fox sealed inside of Naruto. Several ninjas from Konohagakure, including Team 7, fight against the Akatsuki members and search for their teammate Sasuke. Although they manage to save Gaara the host of the One-Tailed beast, Akatsuki is successful in capturing seven of the creatures. In the meantime, Sasuke betrays Orochimaru and faces Itachi to take revenge. Although Itachi dies in battle, Sasuke is later told by the Akatsuki founder Madara Uchiha that Itachi was ordered by Konohagakure's leadership to destroy his clan. Saddened with this revelation, Sasuke joins forces with Akatsuki to destroy Konohagakure. Meanwhile, as several Akatsuki members are defeated by the Konohagakure ninja, their leader, Pain, invades the village to capture Naruto. However, Naruto defeats Pain's multiple bodies and convinces the real one to leave Akatsuki.
With Pain leaving, Madara announces that he wants to obtain the all nine of the tailed beasts in order to perform an illusion powerful enough to control humanity. All of the leaders of the five ninja villages refuse to aid him, and instead, join forces to confront him.Production
Masashi Kishimoto first created a one-shot of Naruto for August 1997 issue of Akamaru Jump. Despite its high positive results in the reader poll, Kishimoto thought "[the] art stinks and the story's a mess!" Kishimoto was originally working on Karakuri for the Hop Step Award when, unsatisfied by the rough drafts, he decided to work on something different, which later formed into the manga series Naruto. Kishimoto has expressed concerns that the use of chakras and hand signs makes Naruto too Japanese, but still believes it to be an enjoyable read.
When originally creating the Naruto story, Kishimoto looked to other shōnen manga as influences for his work, although he attempted to make his characters as unique as possible. The separation of the characters into different teams was intended to give each group a specific flavor. Kishimoto wished for each member to be "extreme," having a high amount of aptitude in one given attribute yet be talentless in another." The insertion of villains into the story was largely to have them act as a counterpoint to the characters' moral values. Kishimoto has admitted that this focus on illustrating the difference in values is central to his creation of villains to the point that, "I don't really think about them in combat." When drawing the characters, Kishimoto consistently follows a five-step process: concept and rough sketch, drafting, inking, shading, and coloring. These steps are followed when he is drawing the actual manga and making the color illustrations that commonly adorn the cover of tankōbon, the cover of Weekly Shōnen Jump, or other media, but the toolkit he utilizes occasionally changes. For instance, he utilized an airbrush for one illustration for a Weekly Shōnen Jump cover, but decided not to use it for future drawings largely due to the cleanup required. For Part II, the part of the manga beginning with volume 28, Kishimoto said that he attempted to not "overdo the typical manga style" by not including "too much deformation" and keeping the panel layouts to make it easy for the reader to follow the plot. Kishomoto said his drawing style changed from "the classic manga look to something a bit more realistic."
Kishimoto added that, as Naruto takes place in a "Japanese fantasy world," he has set certain rules, in a systematic way so that he could easily "convey the story." Kishimoto wanted to "draw on" the Chinese zodiac tradition, which had a long-standing presence in Japan; the zodiac hand signs originate from this. When Kishimoto was creating the setting of the Naruto manga, he initially concentrated on the designs for village of Konohagakure, the primary setting of the series. Kishimoto asserts that his design for Konohagakure was created "pretty spontaneously without much thought", but admits that the scenery is based on his home in the Okayama prefecture in Japan. Without a specific time period, Kishimoto included modern elements in the series such as convenience stores, but specifically excluded projectile weapons and vehicles from the storyline. For reference materials, Kishimoto performs his own research into Japanese culture and alludes to it in his work. Regarding technology Kishimoto said that Naruto would not have any firearms. He said he may include automobiles, aircraft and "low-processing" computers; Kishimoto specified the computers would "maybe" be eight-bit and that they would "definitely not" be sixteen-bit. He has also stated that he has a visual idea of the last chapter of the series, including the text and the story. However, he notes that it may take a long time to end the series since "there are still so many things that need to be resolved".
When asked about what was Naruto's main theme during Part I, Kishimoto answered that it is how people accept each other citing Naruto's development in such part. Kishimoto said that since he was unable to focus on romance during Part I, he was to emphasize it more in Part II, despite finding it difficult.

Iron Man

Iron Man (Anthony Edward "Tony" Stark) is a fictional character, a superhero in the Marvel Comics Universe. The character first appeared in Tales of Suspense #39 (March 1963), and was created by writer-editor Stan Lee, scripter Larry Lieber, and artists Don Heck and Jack Kirby.
A billionaire playboy, industrialist and ingenious engineer, Stark suffers a severe heart injury during a kidnapping in which his captors attempt to force him to build a weapon of mass destruction. He instead creates a powered suit of armor to save his life and escape captivity. He later uses the suit to protect the world as Iron Man. Through his multinational corporation ― Stark Industries ― Tony has created many military weapons, some of which, along with other technological devices of his making, have been integrated into his suit, helping him fight crime. Initially, Iron Man was a vehicle for Stan Lee to explore Cold War themes, particularly the role of American technology and business in the fight against communism. Subsequent re-imaginings of Iron Man have gradually removed the Cold War themes, replacing them with more contemporary concerns such as corporate crime and terrorism.
Throughout most of the character's publication history, Iron Man has been a member of the superhero team the Avengers and has been featured in several incarnations of his own various comic book series. Iron Man has been adapted for several animated TV shows and films. The character is portrayed by Robert Downey, Jr. in the live action film Iron Man (2008), which was a box office success. Downey reprised the role in the sequel, Iron Man 2 (2010), and also played the character in a cameo in The Incredible Hulk (2008). Downey will also play the role in the upcoming film The Avengers (2012) and the planned Iron Man 3 (2013).
Iron Man's premiere was a collaboration among editor and story-plotter Stan Lee, scripter Larry Lieber, story-artist Don Heck, and cover-artist and character-designer Jack Kirby. In 1963, Lee had been toying with the idea of a businessman superhero. He wanted to create the "quintessential capitalist", a character that would go against the spirit of the times and Marvel's readership. Lee said, "I think I gave myself a dare. It was the height of the Cold War. The readers, the young readers, if there was one thing they hated, it was war, it was the military ... So I got a hero who represented that to the hundredth degree. He was a weapons manufacturer, he was providing weapons for the Army, he was rich, he was an industrialist ... I thought it would be fun to take the kind of character that nobody would like, none of our readers would like, and shove him down their throats and make them like him ... And he became very popular."[3] He set out to make the new character a wealthy, glamorous ladies' man, but one with a secret that would plague and torment him as well. Writer Gerry Conway said, "Here you have this character, who on the outside is invulnerable, I mean, just can't be touched, but inside is a wounded figure. Stan made it very much an in-your-face wound, you know, his heart was broken, you know, literally broken. But there's a metaphor going on there. And that's, I think, what made that character interesting". Lee based this playboy's looks and personality on Howard Hughes, explaining, "Howard Hughes was one of the most colorful men of our time. He was an inventor, an adventurer, a multi-billionaire, a ladies' man and finally a nutcase". "Without being crazy, he was Howard Hughes," Lee said.
While Lee intended to write the story himself,[citation needed] he eventually handed the premiere issue to Lieber, who fleshed out the story. The art was split between Kirby and Heck. "He designed the costume," Heck said of Kirby, "because he was doing the cover. The covers were always done first. But I created the look of the characters, like Tony Stark and his secretary Pepper Potts."
Iron Man first appeared in 13- to 18-page stories in Tales of Suspense, which featured anthology science fiction and supernatural stories. The character's original costume was a bulky gray armored suit, replaced by a golden version in the second story (issue #40, April 1963). It was redesigned as sleeker, red-and-golden armor in issue #48 (Dec. 1963); that issue's interior art is by Steve Ditko and its cover by Kirby. In his premiere, Iron Man was an anti-communist hero, defeating various Vietnamese agents. Lee later regretted this early focus. Throughout the character’s comic book series, technological advancement and national defense were constant themes for Iron Man, but later issues developed Stark into a more complex and vulnerable character as they depicted his battle with alcoholism (as in the "Demon in a Bottle" storyline) and other personal difficulties.